Bare Knuckle Pickups Forum
At The Back => Time Out => Topic started by: Twinfan on July 03, 2012, 08:59:07 PM
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Pretty impressive memory and 1 take!
http://www.youtube.com/watch?v=xiC__IjCa2s
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I saw this today and thought three things:
1) Nicely done, sir!
2) I really do like rock and roll a lot.
3) '58 Strats are a bit of alright.
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Yep, the Strat sounded great - really authentic for some stuff!
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That was pretty impressive :D
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Very cool! I was impressed not only by the playing and the sheer concentration involved, but also by how quickly and effectively he switches between all the different tones. And most of them sound pretty authentic.
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Absolutely brilliant!
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Yeah, very cool.
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Hats off from me too.
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Very cool! I was impressed not only by the playing and the sheer concentration involved, but also by how quickly and effectively he switches between all the different tones. And most of them sound pretty authentic.
More impressive than the switching between tones (for me anyway) was the detuning and retuning on the fly! For me, changing tone like he was doing seemed fairly run-of-the-mill operation... apart from the various distortion/overdrives (footswitches I assume) most of the tonal variation was in his playing, there was a little bit of neck to bridge switching, but otherwise it was all about attack and where he hit it.
But what he was doing to the tuners without pausing!! :o (he looked slightly worried on one of the retunes but relaxed when he heard it was close enough for rocknroll :lol:)
The reaching for the slide was pretty slick as well - looked like he almost panicked first time but made it ok.
Anyone else read any of the comments? What a lot of plonkers there are in the world! :lol:
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Can't see this at work :x
Will be watching tonight (and getting a dose of Strat GAS no doubt)
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Excellent, really excellent!
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More impressive than the switching between tones (for me anyway) was the detuning and retuning on the fly! For me, changing tone like he was doing seemed fairly run-of-the-mill operation... apart from the various distortion/overdrives (footswitches I assume) most of the tonal variation was in his playing, there was a little bit of neck to bridge switching, but otherwise it was all about attack and where he hit it.
But what he was doing to the tuners without pausing!! :o (he looked slightly worried on one of the retunes but relaxed when he heard it was close enough for rocknroll :lol:)
I may have missed a bit of detuning and retuning, but wasn't it mostly drop-D? That's pretty easy if you know the individual guitar well enough (and so long as you're not bothered about being perfectly in tune! :lol: )
It seemed to me there were quite a lot of tone changes involving pedals or some kind of processing, but he didn't seem to be playing hopscotch so I assumed he was using something with one-button presets.
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Yep, just a Drop D re-tune a couple of times - Phil X does the same thing now and again.
I think he only had some basic single stomp pedals:
Reverb
Fuzz
Distortion
Fuzz-octave thing for a Jack White riff
Maybe a vibrato? Can't remember off the top of my head
That was about it though...
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Sweet
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Way cool! 8)
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Strat GAS!!!!
There was also some kind of trem pedal used for Green Day. Not sure if he had a delay there as well for U2 and GnR.
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take a look at the pedal board! nice and tidy but very efficient in the tones. at first i was thinking he had the patches programmed and just went up, but damn, it's all manual :)
http://www.chicagomusicexchange.com/100riffs/
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I've been to the Chicago Music Exchange and its an awesome shop. Highly recommended