that's exactly how my '73 custom sounded with the nailbomb set
thick and snappy with a ton of attack (a bit too much for what I was looking for)
Very nice to hear. Mine isn't too snappy since there isn't a maple neck (the neck is mahogany). That little extra snap in the tone comes from the ebony board and maybe the small, flat neck plays a part in this as well. It seems the more it gets played (even after all these years), the 'smoother' the tone becomes, which is especially noticable in the bridge position (the sharp edges around single notes seem to mellow more, in a good way).
I like to test Les Pauls by their pure clean tone. Play an open E with your pick and you'll hear what kind of character the Les Paul has (I test this in all 3 pickup selections). Many Les Pauls have a tendency to sound overly big/dark here, because of their naturel bass response and neck pup position).
mine is mahogany neck too
3 piece neck, huge headstock and sandwich body with flatter top than the 80's ones
don't with the 80's have the same wood of the 70's, but mine definitely doesn't have the same honduran wood they use today
I've read they Norlin was using african mahogany to make the guitars heavier
it's less resonant and detailed than the new ones and a lot more dense and focused
definitely a different tone
new ones are more open and musical and very acoustically loud, while this sounds punchier, with a deeper low end, more plugged in sustain and less acoustic resonance
not sure if the snappy high end was only from the pickups and tailpiece (it's very lightweight) or part of the guitar tone