I find the country boy works a treat.
The Lollar is at about scratchplate level and I had some trouble with the base as the screws provided threaded it :( I cooked up some bits of pick to keep it in place.
The Country boy is really close to the strings and I've a 5way pickup that works like this:
"50s wiring" so the tone isn't in parallel with the volume (which is how I remember it so forgive me if that's the wrong term)
Neck (0.47uF on the tone control)
Neck and Bridge (0.47uf and 0.015uf on the Tone Control)
Bridge (0.015uF on the tone control)
Bridge (0.015uF on the tone control)
Bridge (no tone)
A 1meg volume pot and a 250k reverse audio pot for tone.
Neck is great - I kinda miss the bright tone of the tele neck pickup, but it's good for blues, jazz and the like.
Both is a great acoustic sound - the lollar does a good bassy boomy sound with the treble being provided by the country boy
Bridge with tone - with the neck and bridge having different capacitor values the switching provides disappointingly similar levels of blanket :( odd to want difference, but I'm odd like that so similar volume output too.
Bridge with no tone has a slight volume boost.
Writing about it in a boring way that perhaps only I'll read anyway :D I think a 500k pot would be in order to brighten up the neck pickup a little more.
All this was tried on a Cornell Romany v1 with and without a Fulldrive2 and occasionally with a Zendrive acting as a clean boost... I find pedals do weird things to the volume knob :)