Modern Marshalls

[richard]

Recently I've rehearsed a couple of times with a JCM 900 and I just played a gig using an SLX. Both pretty good sounding amps but had the same issue with both of them - an excess of treble. I had to turn the treble and presence to zero and work from there to get a usable tone. I've just watched a demo of the new DSL 40w combo. Sounded good but I noticed that the treble was at zero.

Is this common to all 'modern' Marshalls ?

[Toe-Knee]

Recently I've rehearsed a couple of times with a JCM 900 and I just played a gig using an SLX. Both pretty good sounding amps but had the same issue with both of them - an excess of treble. I had to turn the treble and presence to zero and work from there to get a usable tone. I've just watched a demo of the new DSL 40w combo. Sounded good but I noticed that the treble was at zero.

Is this common to all 'modern' Marshalls ?

I find that all marshalls are fairly bright but how bright is very dependant upon what cabs are used with them. IMHO T75/V30 etc are out of the question. Way too much high end.

[_tom_]

If it sounds good with the treble/presence on zero does it matter too much? I have the same issue with my Laney but with the treble off and presence about halfway it sounds awesome :)

[richard]

I don't suppose it matter too much if you can get a decent sound, it just seems to be a strange way to make amps.