Thanks for all the replies.
To clear things up re: "the Kamikaze Controversy"
The guitar was originally a bone stock ESP Kamikaze 4 Limited Edition. Hardware was swapped from black to chrome, push-pull pot was replaced with a mini-toggle for pickup selection, and the neck was replaced with a Gajic J Frog replica. That neck had a birdseye maple fingerboard. The neck developed a twist and the guitar now has a Warmoth all-maple neck on it with a both a standard tusk nut as well as a locking nut. That greatly impoved the tone!
To clear things up re: "The Tone Control Controversy"
I'm not anti-volume control or anti-tone control. In most cases, however, I've found that adding pots to the signal robs the guitar of tone. I now strive for the purest signal chain I can get. Oftentimes this results in the pickup being soldered directly to the output jack. There is "zero" resistance to the tone when you play this way and takes some getting used to it, as you can't mute, roll off, or otherwise do anything short of shunting the signal if you don't want to feedback, remove handling noise, etc.
Re: "Where's Wayne?"
You might also ask: where's my JEM, M1 Tiger and '79 Strat. They are all gone due to one reason or another. I am 10x happier now that all my guitars (less the Blue Meanie) have the identical neck.