So true, so true.
Actually, I just require good electronic tone, which is a dominantly pickup thing. In my experience, the quality of wood's influence has been restricted to the resonance and girth of the eletronic sound. These factors have never been a major issue for me; where I lack tonal thickness, I dub another layer of recording.
My sentiments are exact on ply woods; evil stuff. The bad part being that you get these mahogany guitars that are all ply. My Epiphone Gothic Explorer was a major disappointment in that respect. The wood would chip and breakdown so easily, and it always sounded like mahogany dampened to hell!
With the low-end Jacksons, I get that bright alder tone, and it's solid; even the ressonance is okay because most of the guitars have a body-thru string layout, which actually makes a mild difference.
Anyway, thanks for the input. I'll be going for the Ceramic Warpig. Cheers!