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Author Topic: A & B double tracking with BKPs (studio situation)  (Read 1446 times)

octavio_amzer

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A & B double tracking with BKPs (studio situation)
« on: October 30, 2007, 08:04:21 AM »
A & B guitars are recording double track riffs and solos

"A" guitar has Cold Sweat Neck and Nailbomb bridge humbuckers... Woods are 3 piece maple neck with mahogany body

What contemporary humbuckers would you use with "B" guitar for that "perfect" dubbed double track sound?

"B" guitar has 3 piece korina neck and korina body. Both guitars have ebony fingerboards with 10-48s tuned to Eb Standard

also... you are the only guitarist of the band

  :twisted:

indysmith

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A & B double tracking with BKPs (studio situation)
« Reply #1 on: October 30, 2007, 10:01:43 AM »
I'd have mules. smooth warm bluesy sound of them in korina would balance out the agressive bite of the nailbomb and cold sweat....
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gingataff

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A & B double tracking with BKPs (studio situation)
« Reply #2 on: October 30, 2007, 04:11:17 PM »
I'd use the same guitar and a different mic, speaker or eq setting.
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HTH AMPS

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A & B double tracking with BKPs (studio situation)
« Reply #3 on: October 30, 2007, 10:37:00 PM »
Since Nailbombs are so pokey in the mids and have a good amount of chunk in the low end it's not an easy match.

All depends on the music too - I'm assuming its fairly heavy since you've got NB's and you're talking contemporary 'buckers.

I'd go with a Warpig set as they have lots of low mids where the NB's are more high-mids (mine are anyway).

 :twisted: