The uncompensated bridge actually intonates pretty well, especially if you've got tin ears like me. It's not perfectly in tune all the way up the neck though. Probably not ideal if you play jazz or anything highly technical...
The problems with the Tokai bridges are:
1. They're made of zinc, not aluminium (not necessarily bad, it's a matter of opinion)
2. They're compensated for a
wound G string (but Gibson now use bridges designed for a plain G)
3. They're meant to be set in a straight line, parallel with the pickups, not angled:
1965

1961
