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Author Topic: Gary Moore style  (Read 10114 times)

5F6-A

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Gary Moore style
« Reply #15 on: June 02, 2006, 12:40:47 PM »
Quote from: fps_dean
Quote from: 5F6-A
My Stormy Monday loaded LP and my JTM45 clone with KT66s and mullards get pretty close!!

Lol nice.  That's his blues tone alright!


That's right.... Greenie's LP had low output ( resulting in that sweet, dynamic tone) so SMs is the way to go although many people used to modern humbuckers with 300k pots and regular wiring might find them a tad "fenderish".  :roll:
"I now consider atheism to be brutal because it offers neither consolation nor liberty of any kind" Benjamin Constant in 1804
"Practice until you can hear the metronome grooving" Carol Kaye

StefanPrice

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Gary moore.
« Reply #16 on: June 07, 2006, 11:50:29 PM »
Gary's brother lives or used to live in Weston Super mare.
I saw him, hes not quite up to Gary's standard!
If I think of the Gary Moore sound, its instantly "Oh Pretty Woman" from Still got the blues.
In the early 80's metal era he mainly used his pink 61 strat with stock pickups, but when he went solo with songs like "Empty rooms" in the mid 80's he used Hamer a lot,  Les Pauls, also a light blue flying V.

If its the "Still got the blues" album sound you're after, and I think thats THE classic Gary Moore album, actually a classic album anyway,  he used  different Les Pauls 58's and 59's into a Marshall Gov'nor distortion pedal (the older type Gov'nor) and then into a Marshall JTM 45, live it was the same except I think he used 100 Marshalls.

In the early 80's playing heavy metal with the pink strat, he used all Boss pedals, mainly DS-1 Distortion and the 0ctave divider.

When he played Red House at the Fender show 2 years ago, he used the pink strat.

I haven't heard his latest album, but I heard a track from an album from a couple of years ago and I really didn't like the sound at all, Have you got the "Blues alive" live album from the time of "Still got the blues"?
Its AMAZING!!!!!!!!!!!!!!!!!!!!!!!

I think the Mules are a good bet.
I have got a MULE neck "not literally" and an Emerald.
I don't think it matters which ones for this because although the MULES are lower powered like the PAF's,  he puts it through the Govnor to drive the amp hard anyway.
Stef.
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Dire straits.

Brow

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Gary Moore style
« Reply #17 on: June 08, 2006, 12:31:42 AM »
For his Monsters of Rock CD/DVD albums he used:

Gibson Explorer white
Gibson GM sig LP standard

Dod Supra Distortion
Dod Death Metal Distortion
Ibanez TS10 Tubescreamer
Dod Mystic Blues Overdrive
Dunlop JH-1  wah
Ibanez Chorus
Ibanez Delay III
Custom switch box

Marshall DSL100 amp
Marshall 2203 reissue amp
3 x Marshall 1960BX 4 x 12" cabs

This is what someone from his website told me when I emailled them :)
Selling lots of gear, enquire within!......

downrodeo

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Gary Moore style
« Reply #18 on: June 10, 2006, 02:42:15 AM »
Just goes to show you that if you can really rip, you make a "average" looking rig on paper sound great in reality. Doesn't it? I mean...DOD and Ibanez pedals instead of all this boutique equipment that I hear so much about!
Ora che ho perso la vista, ci vedo di pui.

JamesHealey

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Gary Moore style
« Reply #19 on: June 12, 2006, 11:50:46 AM »
it's all in the fingers man im telling you, my Strat and my amp in the hands of my mate thom sounds like a totally different animal to when im playing it, he picks 10x lighter than me and picks every note and has one killer vibrato, my friend rowan digs in 30x harder than anyone i know lol but he gets a killer tone from any rig and I mean any rig at all he's such a stunning player and he uses a ESP KH502 w/ EMG 81 in the bridge (No neck pickup he says they're for pussy's who cant pick right lol) into a Laney Tube Fusion combo.

Im not saying good gear doesnt make a difference it does but if someones got that touch, they'll sound good anywhere.