I know that they feel great, but AndyR, if you had a £10,000 guitar and it was nicked or damaged at a gig, wouldn't you be gutted?
Yeah, I might have been a bit blase about that! :lol:
I can't really make my mind up about it though- part of my thinking is, if I took my current favourite out (a fender-japan re-issue, cost me £500), I would be
so gutted if it was nicked or terminally injured, but I would get over it. Replacing it financially wouldn't be a big thing probably, but it is seriously non-replaceable because of how it plays, feels, etc, etc... A different one would be a different one, and I'd never get her back..... :(
I'm not sure how much difference a bigger price tag would make to this? (For me personally that is, because, much as I love the idea of an actual historical guitar, I just can't see one being worth that much to me, so I'll probably never even look into acquiring one!)
And I think you're right about the relic'ing - we've just been to Denmark St, and I reached the same conclusion this morning before I read your post just now - the "relics" that have just been sanded down are the ones that make me uncomfortable (and that includes the RG strat I saw today), there is no way a guitar is going to age naturally like that!
The rest of this post is about Rory and Donal (for those skim reading about relics :D)
I also think you're right about Donal from all I've heard about him, but I supect Kilby might also be near the mark in some of his comments about him being too close to the material or trying to bring things up to date. I read somewhere (might be Gerry McAvoy's book, but don't quote me) that there was a lot of tension between the brothers over sound and mixes, even to the extent that Donal wasn't allowed near any of it in the studio eventually... I can't help but wonder whether some of the changes are what Rory was ruling out?
I certainly don't feel that Donal "owes the fans" anything (I've seen this elsewhere on the web and it disturbs me a bit). As far as I'm concerned, I assume he owns the stuff now, it was his brother, so he can do what he thinks is best...
But I was personally disappointed when the remasters came out - I'd been wanting to get all the albums on CD, I was really excited by it, it hadn't been possible to do so up until then. But when they arrived, they're not the original albums, visually or sonically, and in the case of Jinx, it's
seriously different. The artwork doesn't bother me so much - I've still got all the originals :D. But as far as I'm aware, you
can't get the original recordings on CD - they have disappeared from history as it were...
Roger Glover's approach on Machine Head would have been far better: remaster the old mixes and then, if there was a new perspective possible, include that as well. I actually prefer his remix most of the time - but it would have been almost unthinkable that the original version of Machine Head was no longer commercially available, only somebody's re-evaluation of it instead...
But that's what has happened to all of Rory's ouput :(