Great bump on this thread- these instructions are my "starting point" for adjusting strats or teles.
On the Ritchie Blackmore front, I've read all kinds of wierd-sh1t over the last year or so...
The last stuff I read said that he:
Took the magnets out of the middle pup, but left the windings (or created a new pup, same windings, but no magnets). He left this in the circuit to account for the "inductance" (might be another electrical term here, my guess) that the middle pickup usually adds to the circuit. He kept this because it "changes the other pickups a bit" if you take the middle out altogether... ...personally, I would have thought the presence or not of the middle's magnets might have a more noticable effect (if you have ears good enough to hear the difference of a coil in the circuit!!)
The stuff I was reading was that he only ever uses bridge alone or neck alone, does not use the tone but leaves it in, fully open (hence you see him always checkling it live in older footage... he's not adjusting it, but making sure he hasn't knocked it...), and he uses his pick/finger attack and the master volume as the volume/tone control...
He's a class player... but this stuff does sound a little bit, er, eccentric, even if based in actual theory :lol: