I think the price is pretty fair for the materials and labour. One of the secrets about the old Steinbergers is that they're hollow, even the necks!
This seems to have been missed in all the subsequent headless rehashes. It obviously adds a huge amount of resonance to what it otherwise a small amount of body and neck real estate. Personally I'd love an original GL, not because it's a rare classic guitar, but because its a good guitar. It's yet another example of rich collectors forcing less well off players out of the market. :sigh:
Was never aware they were hollow :o. I first saw one on Top of the Pops, some guy was using one of their basses. I remember thinking, that can't be real, and not liking it (visually).
Some time after, I was at a guitar show in london. Came across a crowd round a guy who was obviously standing on something, as he was about 2ft taller than everyone surrounding him. To cut a long story short, Ned Steinberger was talking about the construction and strength of his basses,
whilst standing halfway up the fretboard of one balanced between two chairs!! He then got off it and played it to demonstrate it still being perfectly in tune!!!!
Impressed me enough to try several of his instruments, but sadly could never afford a proper one. Transtrem is a work of genius, tho I think setting one up from scratch could take a while....................
As well as the collectors thing, I think Gibson are partly to blame for why we don't see em. They seem to be trying to become the microsoft of the guitar world, buy out any competitor, then leave em to fester in a corner and die. Did it with Trace Elliot too, tho they seem have escaped their clutches now.
Tis annoying to me that perfectly good instruments of all types are languishing in display cases rather than being played, but sh*t happens I spose :(