And nobody has mentioned: thats atleast 3 x 5A(if thats what you're into) Feline with a few added extras (maybe some repro hardware etc)
I just don't know how Gibson get away with it.
Another thought, that amount of cash would cover a nice Les Paul, and a Historic make over with proper Brazilian thingy
d1dsj: You don't fancy making a thread and few pics of your JP '57 do you? ;) mini review too perchance?
Will do, here's a couple of pics with a couple of notes...
All 3 L.P's with my old amps, this was when I first had the '57 so it looked quite new...

here's the '57 with damage, I've just had an aged re-fin done by Rob Williams who is a top luthier. He did a great job and I'll post some pics of it now. Just for the record, look at Rob's web site (just google Rob Williams) and you will see he does GREAT work, he commented on how resonant my '57 was for an all mahogany guitar... I was going to sell it to buy one of HIS LP.s... about £4000, he said I wouldn't bother... that's a great guitar!
Anyway, this guitar is going to get Riff Raffs in the new year, but until recently had the stock '57's in. I found them to be a bit dark... not bad at all, the guitar had a really big , phat sound. The neck did lack a bit of clarity too. I've got in there at the moment an S.D Brobucker/ Jazz neck (until I get the R.R's) and it sounds pretty good. Tim repotted the S.d's for me and fitted lightly aged gold covers. We had several conversations about the Brobucker (S.D custom shop) and he admitted that he actually liked it. I haven't played any gigs since fitting them, but at lower vols in the house it sounds much clearer, pinched harmonics are now possible with the Bro.

The Page I got from a mate who works as guitar manager in a local store. The pick ups are now S.D Bro/ Seth bridge and the wiring is RSGuitarworks vintage loom. It's a great guitar and gets a beating, the pick ups are great so no BKP's for this one as I'm happy with it as it is.
