Ceramic Nailbomb, Powerball, Pitbull CL. Rather heavy.

[MDV]

Nope, same version.

Youre lucky. And to be fair, musically insightfull drummers with talent and work ethic do exist, even ones that you'd trust to record stuff and at least not ruin anything, and a good drummer is musical gold dust, but they are, one and all, nuts.

[dheim]

Nope, same version.

Youre lucky. And to be fair, musically insightfull drummers with talent and work ethic do exist, even ones that you'd trust to record stuff and at least not ruin anything, and a good drummer is musical gold dust, but they are, one and all, nuts.

 :lol:

[With Full Distortion]

MDV?? do you have anything recorded with the Bogner? do you have an Uberschall or which model is it?
i would liek to hear some death metal with the cbomb and ,c pig and aftermath.
no backing track and nothing. only the pickup and nothing else besides the distortion of course.
q: )
thanks in advance.
JP

[fr33man1]

reminds of some parkway drive for the singing mainly. I don't find it dry, it sounds like some of the good ol soilwork days. Tight and massive low end with this modern sound to it. Nice job, makes me regret having purchased an alnico nailbomb.  :P

I had an slsmg too at times and I remind it was pretty dark or at least very deep souding due to the all mahogany neck through and yours sounds just fine with a nice balance of frequencies. :thumbs up:

[MDV]

JP, my cab, which I swear by cos its awesome, is a Bogner Ubercab. Everything electric I do is recorded through it. I dont have any bogner amps.

fr33, I often think the same about my SLSMG. Its dark. Its my bassiest guitar, acoustically. It does have enough top end and attack to get by though. This was tracked without a preponderance of low end on the amps to compensate, however. Its all about the dialing in and the mic placement :) (or mics in this case).

I had an aftermath in the guitar for a bit and the low end was much more controllable, without anything thinning out, but I cant really justify replacing it again.