^ yeah, i'd agree, regarding edwardses. I'd take one sight-unseen over a gibson sight-unseen, because of the better qc, but if you can pick through a bunch of gibsons to get a "good" gibson, then you could probably do better with a "good" gibson.
Also the usual "they're not 100% made in japan" comment applies. The (2!) edwardses I've tried didn't/don't seem to have quite the mojo of some of the other MIJs- whether that's because they're not MIJ, or it's merely psychological, I don't know. However, I should point out that I thought that when I thought they were 100% MIJ, so how much is psychological, I don't know.
I have tried tokais which i'd take over any gibsons i've tried (not tried the custom shop ones, i mean the standard production US gibsons). And as far as i'm aware, they are 100% MIJ (well, the japanese-made ones, anyway, there are cheaper non-MIJ ones).
What philly's saying is worth paying attention to- while I haven't tried the others like burny or greco etc., a lot of the time they're made in the same factory, so it might boil down to which you can get a hold of most easily.
Also his warning about different models at vastly different prices looking very similar is worth paying attention to, as well. While even the cheapest MIJs are still good guitars by any stretch of the imagination, you don't want to be paying $1500 for something which is worth $500. Obviously :lol:
And any time a seller isn't sure of the model, they usually conveniently seem to assume that it's one of the dear ones... :roll: :lol: