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Author Topic: OGD / NPD  (Read 2872 times)

Philly Q

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Re: OGD / NPD
« Reply #15 on: November 19, 2011, 04:45:04 PM »
How does it compare to the Gibson Studio you had PhillQ?

It's a little hard to directly compare in a sense, because the Studio had a chambered body so it was acoustically louder and responded a bit differently.  And the Gibson pickups are definitely a bit better than the Gotohs(?) in the Signature.

But if you're familiar with Gibson LP Studios in general, the Signature has a slimmer (but not really skinny) neck and (although it's not particularly noticeable in photos) a slightly modified body shape.  Unlike the Gibson, the Signature has a proper long-tenon neck joint. 

In terms of overall workmanship, I think the MIJ guitars win every time, they're pretty much flawless (although to be fair, there was nothing much wrong with that particular Gibson - everything was in the right place!).  Compared with other MIJ brands, I'd rank the Signature (and Epi Japan) models with the better Tokais and definitely ahead of Edwards.
BKPs I've Got:  RR, BKP-91, ITs, VHII, CS set, Emeralds
BKPs I Had:  RY+Abraxas, Crawlers, BD+SM

FELINEGUITARS

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Re: OGD / NPD
« Reply #16 on: November 19, 2011, 06:49:22 PM »
Thanks Jon, was neally nice to have a chat although i now have Egnater GAS :D

I'm not sure whether it's the 50's wiring or the new pickups but the controls certainly feel more responsive across the whole of their travel.

Eventually i'll get the tuners replaced for locking ones and the pots replaced for some of the BKP pots.

It'll be the 50's wiring IMO, although the pickups will sound good without it , it'll sure help with smooth taper in the vol and tone
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