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Author Topic: Cut through the mix  (Read 14971 times)

GuitarIv

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Cut through the mix
« on: September 26, 2012, 12:34:30 AM »
So, I've always been wondering what aspects make one cut through the mix. I know mids are important for those are the tonal spectrum which humans recognize the most, like human speech. Now I've been wondering what else helps to be present as a guitar player? Which woods, what does a pickup need to have, what cabs, amps and so on?

Discuss.

Cheers!

hunter

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Re: Cut through the mix
« Reply #1 on: September 26, 2012, 08:35:53 AM »

A Strat and a Marshall definitely help.

Depends a lot if you play in a one or two guitar setup. On the latter it's important that both guys have a different tonal spectrum. My last band in Belgium, the other guy had an insanely trebly sound, but in the band this worked, I had more the mids fullness and he had the treble spike, so we were both there and contributed to a full band sound.

Common mistakes are too much bass and too much gain. Usually, if I have a sound that is hard to play at home, this works in the band context and flows much better playing in the group.
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darkbluemurder

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Re: Cut through the mix
« Reply #2 on: September 26, 2012, 09:25:01 AM »

A Strat and a Marshall definitely help.

Depends a lot if you play in a one or two guitar setup. On the latter it's important that both guys have a different tonal spectrum. My last band in Belgium, the other guy had an insanely trebly sound, but in the band this worked, I had more the mids fullness and he had the treble spike, so we were both there and contributed to a full band sound.

Common mistakes are too much bass and too much gain. Usually, if I have a sound that is hard to play at home, this works in the band context and flows much better playing in the group.

Very good post - I fully agree.

The bass player also has a lot of influence of how the guitar sound comes across in a band. If he uses too much midrange he will take a lot of the guitar's space away and make all guitar tones sound extremely brittle.

Ultimately all band members need to work together for the benefit of the band sound.

Cheers Stephan

Twinfan

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Re: Cut through the mix
« Reply #3 on: September 26, 2012, 10:25:02 AM »
Yep, I'm with Hunter and Stephan here.

For a guitar player to cut, and at the same time not mess up the overall band sound, you need:

* less bass than you think
* less gain than you think
* a healthy amount of mids
* a healthy amount of treble
* restraint - only play what you need to play

For gear, there's a reason why Marshalls and Celestion Vintage 30s are a popular combination  ;)

witeter

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Re: Cut through the mix
« Reply #4 on: September 26, 2012, 10:46:19 AM »
It depends a lot on the type of music you play and the dynamics of the band (1 gtr? 2 gtrs? hard hitting drummer? etc). Marshall amps cut through effortlessly, especially for lead runs. In my band the other guitarist has a marshall and he boost his mids on top of that, so to ensure i complement and also can be heard I have had to tweak my setup and play to the strengths of my own gear. At the end of the day you should remember to always keep the bigger picture in focus (the band sound as a whole)- and as a guitarist this can be heard to do sometimes lol

I think things like V30s, tubescreamers and midheavy amps will help you cut through the mix without the guitar having as big a say in the matter. So say if you had a dark guitar with 'scooped' pups but played through a marshall, mesa cab with v30s and boosted with a maxon-then youd cut through just fine. So when using an amp that has more of a lowmid emphasis you may benefit from cranking the mids and using pickups that emphasize the mid and treble. In my experience the amp/speaker combination is what has the most say on how easily you will cut through.

Its all a balancing act, especially in metal-as I for one want a tone that cuts but also has good oomph and chunk to the low end-hence why I have found the MXR 10 band eq so essential. As i can tweak my tone to fit into the bands sound more accurately :-)

GuitarIv

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Re: Cut through the mix
« Reply #5 on: September 26, 2012, 02:34:03 PM »
I see... well that's interesting.

I'm currently using a Peavey Valveking 100 with a Laney GS 412LA (Tony Iommi Signature) 4x12 with Celestion 70 Eightys. The guitars are a Custom Strat with a Poplar Body and all Maple Neck, a Holydiver in the Bridge and Slowhands in the Middle and Neck; and a RG with a Basswood Body, all Maple Neck and soon a Set of Nailbombs (Ceramic Bridge) in it. I have a Tubescreamer in front of everything.

Is that setup good enough to cut through, or should I get an EQ/change something?
I'm playing in a metal context and can't afford any new gear right now, but I just wanna get some things straight for future investments :)

Now what makes Marshalls cut through? Why are V30s good too? And most important: can I get a new JCM 800 somehow? I didn't find any on the Marshall Page.

Sorry for all the questions, I'm just really curious :)

Twinfan

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Re: Cut through the mix
« Reply #6 on: September 26, 2012, 03:14:44 PM »
The gear you have is fine, you may just need to set it up better if you're having problems.  What settings are you using on the TS and the amp?

Marshalls and V30s both work well because the emphaise the upper mids - this is the frequency range that only guitars really use in a band so that's why they cut.

witeter

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Re: Cut through the mix
« Reply #7 on: September 26, 2012, 03:16:28 PM »
I believe that any setup can cut through a mix if setup correctly-are you in a band? and if so are you the only guitarist? or are you hoping to join a band? i would assess your options once you are in a band context to be honest-otherwise you will just be guessing,etc. As i mentioned earlier the important thing is not to lose sight of the band sound as a whole.

Marshalls cut through because as far as I am aware they have an emphasis on the upper mids-they are designed with that voicing. Vintage 30s are good at cutting through because they emphasize the midrange.
marshall jcm http://www.gak.co.uk/en/marshall-jcm800-2203-vintage-series-100w-tube-head/4346?gclid=CLrU05G207ICFYXJtAod4WcAOg
hope that helps :-)

GuitarIv

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Re: Cut through the mix
« Reply #8 on: September 26, 2012, 07:12:58 PM »
I'm currently in a band, or better said in a project that is about to form. We are still writing all our stuff, but we are already a bassist and two guitarists and have a rehearsal space.
My other guitarist uses an ENGL Savage 60 with an ENGL Cab (don't know which one) and a LTD with BKP Warpigs. I myself quite disliked the Valveking until I found this little site: http://ultimate-guitar-valveking.wikispaces.com/Amp+Tricks+and+Suggestions and tried out the dummy jack mod and the fx loop patch cable mod. The Tubescreamer has it's Gain on 0, Level on 12 and Tone maxed out.
We haven't had the chance to rehearse yet, since my other guitarist is quite busy right now and we didn't have the time yet to transport his amp to our practice space.

Here's a vid: http://www.youtube.com/watch?v=YkOkLvygiM0&feature=plcp

The room isn't finished yet, you can hear we are missing quite some isolation for the sound, but you get the idea :)

Thanks for all the input so far! :D

Twinfan

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Re: Cut through the mix
« Reply #9 on: September 26, 2012, 07:28:18 PM »
How do you have the amp set, bass/mid/treble?

Listening to that clip you have the mids scooped like mad, and if you added a bass quitar and drums you'd disappear quite easily in a band mix.

This maybe not the kind of tone you're after, but this guy will cut in the mix better:

http://www.youtube.com/watch?v=SNd4Ub4hu8c

jpfamps

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Re: Cut through the mix
« Reply #10 on: September 26, 2012, 07:34:24 PM »
I concur with the above posts.

Less bass and less gain help.

What might sound great on it's own, often doesn't work that well in the band context.

V30s have a pronounced presence peak around 1-3 kHz, which is the range in which the ear is most sensitive, hence they tend to cut through a mix, although you should also bear in mind that this is the frequency range where most of the important vocal information is.

I personally don't V30s at all and think that they sound harsh and are fatiguing to listen to.

It is worth pointing out that they are popular with players who use modern, high gain sounds, which isn't really my bag.


GuitarIv

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Re: Cut through the mix
« Reply #11 on: September 26, 2012, 07:37:05 PM »
That's funny, because if I remember right, I had Treble on 10, Mids on 14 and Bass on 12. I tend not to scoop my mids anyway, but as said maybe it's the rooms acoustic properties, the clip isn't really high quality. Right now the highs get too piercing anyway, I hope that will change once the isolation materials arrive.

Oh and yeah, the gain was set quite high. I guess it will take a lot of experimenting once the rehearsing starts ^^

Twinfan

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Re: Cut through the mix
« Reply #12 on: September 26, 2012, 07:50:21 PM »
Less pre-amp gain, more volume for the win  ;)

itamar101

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Re: Cut through the mix
« Reply #13 on: September 26, 2012, 07:51:24 PM »
Less pre-amp gain, more volume for the win  ;)

Thisthisthis!

GuitarIv

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Re: Cut through the mix
« Reply #14 on: September 26, 2012, 07:55:05 PM »
Thanks! I'm really loving this forum, so much helpful and experienced people round here :)

Btw, I've been thinking Painkillers for the Jackson in the Clip, thoughts?