I always feel the need to weigh in on the Abraxas.
IMHO, the split tone of the bridge Abraxas is worth the price of the entire pickup itself. It may give you what you're after, OP. It adds a bit of sparkle and leanness to the tone and it's relatively quiet compared to outright single coils. It will also loosen up some of that compression you are experiencing. I suggest adding a push-pull pot for volume duties.
After going through several attempts at finding the perfect companion for the Abraxas, I landed on the 63 Veneer. OUTSTANDING in combination with the split Abraxas for Tele and Strat tones alike.
I'm building a Floyded Strat and will be looking into another Abraxas/63 Veneer set as a matter of fact. I'm hoping that the guitar itself will present somewhat balanced and not overly bright. I've had the Abraxas in 3 different guitars with different body woods - some solid, some chambered..alder and mahogany mainly. Some had trems, others had wraparound bridges/tailpieces. As a strange coincidence, I felt as though the Abraxas in my last guitar lacked depth and output - as though the guitar itself was "eating" the tone, despite having identical electronics. My measurements concluded that output was very close between all of the guitars, as measured at the output jack. The guitar was likely a dud, though I believe the neck was to blame.
In the event I find myself in your shoes with the Abraxas, I might revisit the Crawler, which I found was a little over the top in one of my more lively guitars. What a fun lead pickup that is!