so its a tighter nailbomb thats tonally similar to a coldsweat, just not AS clear and more brutal?....is it more harmonically sensitive than the coldsweat?......and what woods are ceramic nailbombs and coldsweats most reccommended for?
thanks
With the same settings, you can probably squeeze pinches out of the c-bomb a little more easily, but when I switch to the CS I generally tweak the gain up a tad to compensate for the lower output, and I'd say there wasn't much in it.
I always thought that an overwound, darker, girthier and more brutal cold sweat would sound very close to the painkiller :lol:
Haha, well, perhaps there isn't
thaaat much in it. The Painkiller has the crazy upper-mid thing going though, which gives it a pretty unique sound to my ears.
Well, Nolly has coldsweats in both his blackmachines, both different woods. Both sound great :D
hmm..........well i like alot of harmonic sensitivity..brutality.....uhhhh.....clarity..........like a Vai or Dimebag thing goin on in the shreddage..........crunchy riffage too.........i was thinking alder or ash with a maple top maybe?
I'd probably do it the other way round, choose the woods then consider the pickup. I'd bring it down to versatility really. The c-bomb lacks the extreme refinement and versatility of the CS, it's slightly rawer, more compressed and evil sounding.
I did wonder out loud to Tim what a Cold Sweat over-wound halfway to being a c-bomb would be like, but he advised me to try the standard CS first, and I've been too happy with it to pursue the idea further.
(Cheers Adam :) )