This is from the email I sent Tim, still waiting for his response:
The situation is this; I have a Nailbomb in my Ibanez, and I love it. Although the Ibanez isn't my preferable guitar, I also have a Gibson Orville Les Paul Custom from 1991. Anyway, I'm trying to decide whether to get two Nailbomb's for my Les Paul, or something else. I'll be using the guitar with my pedalboard, into a Laney VH100R. Initially I was thinking about taking the Nailbomb out of the Ibanez and putting it into the Les Paul, but I don't want to do that now. The Les Paul's electrics need to be totally redone, regrounded, due to noise.
I like quite a sludgey tone, and I am inspired by bands such as ISIS, Tool, Mastodon, Cult of Luna, Russian Circles.... and other post-metal/post-rock style bands. I play with both the bridge and neck pickups, but never at the same time. One song we have calls for the neck pickup, the rest call for the bridge. I'm not a thrashy player at all really, I'm quite into just letting huge chords ring, and coming up with complex rhythms that still have a groove to them. I play almost always in drop-C tuning.
I'm wondering also, whether getting uncovered or covered pickups makes much of a difference to the tone? My Nailbomb has the camo cover. I think what I like about the Nailbomb is that it kind of has a natural scooped feeling, but not too much where it gets undefinable. We use a lot of clean tones in our music, and at points we blast into heavy riffs. We're quite a dynamic band, and don't just have one sound going on.
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I suck at soldering, so I was planning on getting the pickups, and then getting a London based guitar tech to handle the work for me. I was going to get all my pots replaced and wiring, etc.... at the moment, it's my noisiest guitar.