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Author Topic: Cold Sweat set questions  (Read 1457 times)

octavio_amzer

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Cold Sweat set questions
« on: March 26, 2009, 07:09:15 AM »
 :) hi everybody

I have some questions regarding the Cold Sweat calibrated set.

How would you describe the tonal characteristics of the set?

Why do most people use them on les pauls?

In what woods does the cold sweat set work best with in your experience?

How do they differ from a nailbomb and a Miracle Man?

thanks!

dheim

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Re: Cold Sweat set questions
« Reply #1 on: March 26, 2009, 02:03:26 PM »
1) modern but PAF oriented, with a bright bridge and a very warm neck
2) i use them on an SG but i bet they're great on a les paul too...
3) i'd say mahogany.
4) i haven't got yet MMs, but compared to NB they're way less middy, less hot (but still hot!) and a bit tighter (bridge). neck NB is very bright, while the CS is warm and very fluid, if you love that "woman tone" on leads... personally i prefer NB cleans, but that's just a matter of taste.
Mule, MQ, Stockholm, CS, RY, MM, PK, ANB, CNB, AWP, CWP, PiG90...

too many? ;)

Dr. Vic

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Re: Cold Sweat set questions
« Reply #2 on: March 30, 2009, 10:08:19 PM »
Don't know if it helps but here you'll find something concerning the voice of the CS bridge and how it compares to the C-NB and the PK. (No idea about how it does compare to the MM though)
http://bareknucklepickups.co.uk/forum/index.php?topic=16628.0

And here you'll find some very demonstrative words and explanations about how feels the CS neck, You'll see it is said to be « piano-like » sounding : A reference among shredders on this board !
http://bareknucklepickups.co.uk/forum/index.php?topic=15217.0

The CS neck clips i've heard show a very fluid, balanced (quite neutral), clear and precise sounding, but I haven't felt a real « vintage soul » in it. As you guess there are other pickups that are far more efficient on that field, so it will depends on what sound signature you want... 


ericsabbath

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Re: Cold Sweat set questions
« Reply #3 on: March 31, 2009, 02:35:56 AM »
Quote
How would you describe the tonal characteristics of the set?

set: far from "cold", extremely clear and articulated in any situation, very versatile, very controlled midrange
bridge: bright, very powerful, crunchy midrange, cutting top, tight bass
neck: hot paf output, more middy than usual low output models, long sustaining, very fat sounding on leads

Quote
Why do most people use them on les pauls?

1. cause les pauls are awesome and very common in every style :D
2. cause they match really well the les paul voicing (thick body, fat midrange and bass, balanced brightness)
3. cause a big part of the buyers are john sykes/hard rock fans, and it was designed for that
4. cause they work really really well for classic AND modern thrash metal too! and les pauls are usually the heaviest sounding six-string guitars for that  :D


Quote
In what woods does the cold sweat set work best with in your experience?

mahogany + maple top
I believe they work well on other warm sounding woods like korina, cedar, crabwood, nato
probably on basswood, since it's usually very neutral sounding


Quote
How do they differ from a nailbomb and a Miracle Man?

can't tell about the nailbomb, but it's hotter, brighter, crunchier, tighter, slightly less versatile and less midrangy than my holy diver
the mids are less fat sounding, but the strong crunch makes the mids VERY present
cleans are a bit more sparkly and aggressive, but still very clean and nice sounding

compared to the miracle man, it's a bit less hot, less bassy, a bit less trebly, more middy, less grindy on the low mids
I usually call it the miracle man/painkiller bas tard child
it definitely can sound very close to both, but it's a bit less powerful then its "parents"
the painkiller is louder, a bit tighter and lot more middy, but has very similar highs and lows
« Last Edit: March 31, 2009, 03:12:46 PM by Eric Hellstyle »
Riff Raff, Mules, Black Dog, VHII's, Cold Sweat

Zaned

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Re: Cold Sweat set questions
« Reply #4 on: March 31, 2009, 06:17:27 AM »
:) hi everybody

I have some questions regarding the Cold Sweat calibrated set.

How would you describe the tonal characteristics of the set?

Why do most people use them on les pauls?

In what woods does the cold sweat set work best with in your experience?

How do they differ from a nailbomb and a Miracle Man?

thanks!

1) Bridge has a tight bass, a balanced midrange with no peaks, and a high end with cut and bite. Attack is wonderful. But it's not harsh, unless you put them into a guitar with wrong (i.e. too bright). About the neck, don't get the wrong idea about it being 'dark'. In a way, it maybe is..but it has a tight attack too, is very articulate and really sings. Great for fluid shredding for example.

2) It just works really well in LP-style guitars. LPs usually have lots of midrange, and a full bottom. With the CS, that midrange comes through without any exaggerated peaks (from the pickup that is), the attack and bottom is full and tight, and the highs bring a wonderful articulation, aggression and cut. If you're after a hard rock tone and your guitar fits the "warm and middy, but clear" definition, I bet the CS set suits you very well.

3) Warmish woods. I wouldn't put them in swamp ash, for example. That wood has a slightly scooped midrange and a bright top. I don't think the CS would work there..

4) From the nailbomb: CS is brighter and tighter, less mids. Miracle man (based on the clips and forum wisdom): CS has less bottom and more mids, is more organic. I think CS is also lower output than either of those pickups.

-Zaned
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gwEm

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Re: Cold Sweat set questions
« Reply #5 on: March 31, 2009, 06:19:54 AM »
CS works very well in maple neck through, even if i prefer MM in this case. CS in maple neck through allows you to nail those maiden tones
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octavio_amzer

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Re: Cold Sweat set questions
« Reply #6 on: April 03, 2009, 12:57:54 AM »
 :D thankyou very much guys!