Hi everyone,
As I'm sure you read in a thread a while back, Bob at Legra is going to be making some CNC/hand-finished superstrats at a pretty attractive price, and needless to say, I'm pretty interested. I figured it'd be worthwhile to ask to see which pickups would be a good match for the tones I'm after and the woods and hardware which are going to be used.
Rough spec: Superstrat shape, swamp ash body, maple bolt-on neck, either maple or rosewood fretboard (haven't 100% decided yet :lol: ), Kahler Tremolo, HSH pickup layout with 5-way switch.
For the bridge humbucker, I want something with decent (but not modern metal) power, I guess somewhere between medium to medium high output. I want it to be versatile- everything from classic rock up to and including 80s metal (hair metal, shred, and thrash, that type of stuff). I'd like it to have nice warm lead tones too- more guthrie govan or andy timmons than george lynch, if that makes sense. I've currently got a Miracle Man in my V, and while I like its smoothness, I'd prefer something with a bit less output, something which is more organic, and more versatile for the lighter stuff (the MM's a bit too hard-edged for classic rock, for example)- I'm assuming alnico V would be the way to go, but I could be wrong. Decent (or even good!) cleans would be a bonus, but not if it makes the overdriven tones worse. To summarise, then, something warm, organic, clear and tight (but not to the point where it's clinical and sterile) for a wide range of overdriven tones, with nice cleans a bonus, if not a necessity. I was possibly thinking of the Holy Diver, as I think, based on what I've read, it matches closest to what I want, though the Nailbomb and VHII might be worth considering too- could anyone describe the differences for me? Or is there something else in the BKP range which might suit me better?
Middle: Just basically something which is pretty stratty, I guess. The volume drop between singles and humbuckers wouldn't be a major problem (I'd be likely to use the middle pickup for cleaner tones anyway, so less output could actually be advantageous), but I'm guessing it wouldn't be too wise to go for the lowest output option either. I guess the best way to describe it would be the "hottest strat pickup BKP do which still sounds 100% like a strat pickup"- I *think* I've heard the Irish Tour described like this before, but I could be wrong. And does it work ok with a maple fretboard? I seem to remember reading that it worked better with rosewood, but I could be wrong. Again, if there's anything else which you think will work better, please feel free to suggest it.
Neck: Not 100% sure what I want for this one... :lol: In my V I've got a cold sweat neck pickup, and I asked Tim for "good overdrive (with the ability to do shred) and decent cleans"... I guess for this one, again, I'd prefer it to be a little more versatile- more like a 50:50 split between good cleans and good overdrive. I'd play everything from jazz, to blues, to classic rock, up to heavier stuff (I'd still like it to be able to handle shred-style solos), so I think I'd want something a little more vintage-sounding, warmer and more organic than the cold sweat, with possibly slightly less power and a bit more "air" and sparkle to the tone (but still able to handle high gain shred solos, when I need it to). Other than that, I have no idea what to go for- please suggest something! :lol:
My amp is an Engl Savage SE, if that's important.
Thanks in advance for any help you can give, and sorry about the length (it didn't look as long when i was typing it, honest! :oops: ). :)