I got a question about these boogers, arising from Hunter's "Maestro" thread, but I don't want to hijack it.
Philly helpfully posted a link to this little thing, I'll use it as an illustration:
http://www.allparts.uk.com/online-shop/allparts-guitar-amp-parts/bridges/guitar-bridges/tremolo-tailpieces/short-gibson-style-vibrato-w-arm-p-4183.htmlThe only trems I've ever used are strat-type trems with springs counter-balancing the strings. I'm not a dive-bomber, sometimes I like a bit of gentle Hank-ery, sometimes a bit more...
However, a strat-type trem has a problem with ordinary playing that is a show-stopper for me: when you set the trem floating, string bends and vibrato with the left hand tend to detune other strings... this is a real pain because I have to cut down my double-bends and finger vibrato that I'm rather fond of. It means I usually end up disabling the trem.
My question about the Gibson-type trems such as the one linked is: do they have the same problem? Looking at it, and thinking about how it's designed to work, I'm guessing that this effect could be minimal?
I've got footage of Allen Collins in Lynyrd Skynyrd using these on an Explorer in the kind of way that I envisage... and I've, er, got an Explorer... (partly because of this particular chap). I also notice that Angus Young's SGs often seem to have trems on - and I
think (or suspect) that his style of playing would cause him trouble on a floating trem strat.
But it looks like holes need drilling to install one of these, and I don't fancy doing that as an "experiment" to see whether I like it :lol: