Hiya Tom, and thanks for the nice comments, if only I was like Matt ! :lol:
No, I'm a self taught novice at this, the four tracks I left on the link, being four of only five I have had a crack at so far - with number six in the pipeline now It's that 'stop in and play' time of year again.
The recording conditions were sparse, as I had not intended the tracks to be any other than a 'listen back' for my own purposes.
As such, I just plugged the guitar ( Via a Monster 'Jazz' cable on this occasion ) straight into a basic £90 Tapco computer interface - and within that - just used the free 'Tracktion' recording ( not modelling ) sofware that it came loaded with. No 'real ' amplifier was used - and no animals were harmed in the making of these clips.
The occasional hint of reverb was just an after thought, when I found a slider for it within Traction - but I did not have the motive nor patience at the time, to find and apply compression or E.Q adjustments. So , it's just the guitar / BKPs , a set of Thomastik Tapewound 12s - and a heavy BKP pick applied lightly. Beyond that I like both pickups on together ( my fave combination on any guitar ) - and the guitar volumes and tones rolled off a couple of notches - to compensate for the lack of any pedal / amp / speaker simulation, or further E.Q adjustments being used. More a set of rough sketches than a painting really. I just needed to listen back to how I had approached it - and( as a Jazz novice ) try and evolve from there.
It was also good practice for my current philosophy ( nicked from Joe Pass and Matt Otten if I am to be honest ) of 'Great amps are still great amps - but I need to be able to plug into almost anything and still make a reasonably nice sound' . Most practice for this stuff being 'unplugged' anyway.
I just want ( for once in my life ) - to be eventually able respond to that request I had formerly dreaded - and that is :
" Go on , play us a tune then .... " .
I would like to get a solo act ( adaptable to a singer or trio if needed ) together over the next year or so - just in a ' After Dinner relaxation' sort of way. To create a mood , share the songs - and make people feel nice emotions, even if they forget who played them . The music , not the player being centre stage.
Meanwhile, thanks again Tom for your encouragement, much appreciated. :)
* Edit *
Also Tom, You were 'bang on' about the neutral amp bit, even given a choice I prefer a 'warm but otherwise neutral' Cub 100 acoustic type amp to play these through - and if ever needed ( due to room acoustics ) - just a splash of studio type reverb from an equally neutral and spacious sounding Fishman Acoustic reverb pedal.
You were also very observant in noting that they sound better 'dry' though - as they are incredibly detailed, woody and above all intimate when you hear them 'live' . :)