I can well imagine one of your tasteful and rather beautiful arrangements of this. Lovely to see Elkie again and as for Martin Taylor, he's a bit frightening isn't he. I've heard him do some of the most ridiculously difficult stuff whilst making it look as if it was costing him no more effort than scratching his neck.
Thank you for that encouraging description of my novice quest Choucas, much appreciated indeed. My need to learn and express , being borne of wanting to ( not surprisingly ) learn and express, as opposed to the "Look guys you
really should be listening to me do
this ... " :lol:
" Serve the music" as my current avatar caption reminds.
I originally chose it, as I am trying to build a narrative / thread through my rather humble arrangements, and I needed a female perspective on 'After the affair' . I eventually remembered having heard Elkie singing this. Just the ticket I thought.
I one day hope, that by
slowly stretching and constantly
refining my modest ' Repertoire' - the idea of a gentle and intimate type of public performance might not only become possible, but also be made more flowing with a little relaxed story telling about 'everyman'/ woman - as manifest in the progress and eventual dissolution of the (implied ) central characters / 'Star Crossed Lovers' As you know, it helps to work towards a hypothetical target or vision, to give the journey a 'Heart' through each of it's more challenging sections.
I will reprise at the end ( or encore if I ever got one ! ) with 'spanky' renditions of 'Makin' Whoopee' and such, to not only 'send 'em home smiling' - but also symbolise the rather cyclical yet potentially redemptive nature of human affairs.
So far, the 'narrative' placement of 'Travellin' light ' amongst the existing stuff, is going to be :
( After a growing intensity from the unconditionally romantic openers ) -
Cry Me A River >
I will Say Goodbye >
Autumn Leaves ( For the chap concerned ) and finally a 'Grand finish ' with '
Travelin' light' for the Lady.
I was further inspired , to realise, that I would probably have to approach this one a bit differently too : more gentle single note runs / melodic emphasis - with much less reliance on purely chordal harmonies. I will enjoy ( as always ) taking time over this one ( the short term memory problems 'help' me on that one :lol: ) - and just have
fun 'running at it ' from different directions, till I eventually catch it. The un-used shards and fragments seeding ideas for future endevours.
If Tim lets me have my recording interface back, I'll post the result. This time, Manhattans with T.I. Flatwounds - as I did right back at the beginning. I
had thought of laying down separate rhythm and solo tracks, but quickly realised that would not only fail to fill my needs as a solo player ' in the flesh' -
and would have diffused the many lessons I feel can be learned from going solo
differently.
Meanwhile, I am glad you liked the video, and within it, enjoyed 'meeting old friends' again.
Thanks again Choucas. :D