I *think* I know what you mean about the "dryness", having an ibanez made out of "normal" basswood. :lol: I'm not entirely sure if I like that or not (not knowing if we even mean the same thing, :lol: ).
It's like the note "blooms" very quickly (and loudly) but you don't quite get the complex undertones of mahogany or korina. It seems like the note drops off a little quicker, but that may be an aural illusion as sustain is very good when amplified.
I'm not sure I like the looks, and having not tried one, wary that it's a PRS in name only, as often the cheaper models of a prestige brand can be- not saying it's the case, just I'm kinda paranoid and suspicious as a rule :lol: ).
In the last few years I've had 3 "proper" PRS models, as it were - no maple tops, mind! - and the Mira X. It's definitely not a PRS in name only! Hardware, pickups and electronics are identical to the pricier models, the finishing, fretting etc are every bit as good. The cost-cutting is in the timber (which may be cheaper but it sounds great!), the simpler body styling and the PRS logo on the headstock is a decal rather than the usual metallic lettering. That's it.
Only thing I don't know is if the obeche bodies are one-piece like the mahogany ones - I would assume, just going by the cost, that they're probably 2 or 3 piece but I really can't see any joins on mine. Then again, I have no idea how big obeche trees are!
It's worth trying one, Dave, if you can. I was very wary because of the unusual timbers, I'm
so used to mahogany, but whenever I pick up the Mira X it just feels and sounds right, it always makes me smile. Who knows, maybe I was lucky and got the only good one! :lol: