I got this a couple of weeks ago, mainly to record vocals and acoustic guitars, and for the switchable polar pattern (cardioid, fig8, omni) so I can do Mid-Side properly if I need/want to.
Turns out it can do pretty much anything: I currently have it sitting infront of a V30 alongside an SM57 recording Most Brutal Metal at the moment and its doing a great job of it.
The most notable thing about its sound is that it really barely has one. Its quite remarkably accurate, and what you hear wherever you place it is what you get, plus just a little tiny boost in the very low end and in the high mids (very smooth though; like a small upkick has been applied with a nice EQ). Makes micing easier, when the sound 'in the room' (i.e. in that exact place in the room) and through the mic are so similar.
This ones not mine, but you get the idea

I also got another SM57, because the SM57 is awesome and you cant have too many, and if you dont agree then youre wrong, sorry, another NT1A, and an audix F14 to give me at least a fighting chance at not having to replace acoustic kick sounds, but they're all mics that everyone knows about already.
This thread was brough to you by Hunters NMD thread and me not quite twigging that mics can and should have threads too!