I gigged my Screamer yesterday on a bigger venue, and I was very excited with the sound throughout, defined, punchy, endless sustain, controllable feedback, singing mids.
And now the best: After the gig the sound engineer came all the way from his mixer to the stage waving about my wonderful guitar sound and how easy it was to mix it to great transparency and fullness without taking the whole space of the frequencies (the guy spoke french, so I didn't understand 100% but at least he was excited) and then he ran up to my amp and looked at the front, at the back and said "Engl, is this new? I don't care, it's great!"
Haha. But he also said that it was the perfect combination to offer him a DI signal (through my Palmer The Junction box) and the mic'ed speaker tone (mic with a little more distance than usual). The DI delivers the crunch, the mic delivers the punch.
There is one bad thing though. My girlfriend heard the sound engineer raving and now she won't accept me buying a Soldano Decatone anymore because she says it's not necessary ... :roll: