That's all I hope to have acheived 38th, if everybody had the same thing life would get a bit boring.
From what I know (I fired a whole load of ideas at him then give him a bit of free reign to put in something that would work)
- The lower horn has three switches; one turns on the bridge the other the neck and the last switches the bridge pickup between series and parallel.
-The upper horn is like a lead/rhythm but the values are 500k and 1Meg (I think)
-The section beneath the trem is the main volume/tone control and blend for the midi plus switch (not yet added)
Jonathan might be able to correct any of this if I'm mistaken - think it gave him a bit of a mindf#*k
Martyn is correct in the function of the switches and controls and the addition of MIDI is an interesting move - there is a 13 pin socket on the side for the synth access.
I like the guitar but it has caused a few "development headaches" to make things work the way they ought
Having done all that if I now made templates all that I have thrashed out to make it repeatable then it wouldn't be a problem next time around, but I have learnt that doing this much R&D for each guitar we build is not a sound practice commercially speaking.
It has taken a bit longer than anticipated because I have had to step away from it a few times so I could look at it again with fresh eyes to get things right and my colleague Tom has been a great help with it too.
The biggest difficulty that we encountered is that the vibrola tailpiece was a touch long for the regular Jaguar body shape - if we had been making a 24 fret neck version it wouldn't be a problem as the bridge would have been another cm or so towards the neck.
As it was we had to doctor the body contours to make it more seamless- once it is all painted it will be fab