I agree, good ol Geezer, damn good bassist that guy.
Yep, I've owned Black Sabbath albums for 30-odd years, but I've only noticed this recently when I bought a short-scale bass. I was playing Jack Bruce stuff, and Andy Fraser from Free, but there was this other stuff coming out that sounded familiar... REAL familiar. It took me a couple of days to figure out that it was Black Sabbath basslines. So I got some CDs out and listened to the bottom end - wow! He's doing some superb stuff under there - another overlooked hero in an iconic band, eclipsed by the hoo-ha around the guitarist/vocalist (a bit like Andy Fraser in Free).
Anyway, Mr Bump - feeling better or worse the day after? (I saw your sad and lonely post in "What are we listening to" last night, couldn't think of anything sensible to say, but my heart went out to you... :lol:)
Don't get too down about it, for too long, you don't need to... Finding other musicians is a pain, but from the Fallen Poets tracks I've heard you've already got an advantage a lot of other guitarists haven't - you are an "ensemble guitarist", you seem to know instinctively how to fit in with the song/track/band. (Mebbe you don't think it's "instinctive", and you had to put in a lot of effort to get that effect, but the effect's still the same)
We guitarists all tend to go on about the bassist/drummer/singer/keyboard-player not being up to scratch or overplaying their role or whatever... But they all get just as wound up by guitarists and their idiosyncracies. Meeting a guitarist who can play or work at what's needed and instinctively fit in and complement/supplement the band is often a pleasant surprise for non-guitarists!
From what I've heard, I reckon you've got "it" in this department. So, although it won't be easy finding another lot, you're bringing the "seeds of success" with you when you do... And I kind of suspect that your attitude rubs off on the other players whether you know it or not... :D