God I'm such a tool, I've just realised my guitar is Limba (Black Korina) not mahogany - if that changes anything?
Possibly a touch brighter and tigther, and the ABomb should not complain about it.
Just found this vid of the Alnico Nailbomb, sounds freakin' brutal as hell. God knows why people would want the Ceramic to make it tighter haha. It sounds bloody great.
Guess why I love this beast ? :twisted:
Tried a couple hi-gain amps lately with the ABomb and yes, it does deliver that kind of tight, rather abrasive, yet still very organic and harmonically rich tones. But there's even more to it - you'd be surprised with the jangly clean / organic bluesy crunch tones you can get from it on a more vintagey amp and with the volume pot rolled downed a bit.
BKPs (well, the one I tried at least) tend to clean pretty well, specially when you get rid of that cr@ppy ceramic tone cap and put something decent instead, but the ABomb bridge still manages to surprise me (and most people that try this SG) with how it can go from br00talz to crystal clear with the same amp / pedals settings. Ok, obviously doesn't work as well on a really hi-gain amp but then it mostly has to do with the four gain stages - and even then it still does clean up better than you'd expect.
And yes, it does manage to retain an incredible definition even under very hi gain, to the point you first wonder if it's really a "hot" pup - then you try it on the clean chanel and notice how it pushes your preamp.
Mmm... Did I say how much I love this pickup ? :lol:
Also how would having a gold cover on the pickup effect the tone? I hear mixed comments on how it effects the tone so now I'm confused lol
Can't tell, mine's uncovered. But I tried both the uncovered and nickel covered versions of the RR bridge (on different guitars but well) and I can tell you Tim does some mojo thing here to keep the voicing as consistent as possible.