Uh oh.... holy cr@p!!! What the F is the one on the far right? Have I missed one of your NGD's or something? Wow... just WOW! 8)
I never announced it here on the forum, I don't tell you guys everything ;) It's a Signature Limited from the run of 400 released earlier this year in the colour Eriza Verde.
I use Nori (PS with trem) and Kermit (Sig Ltd) (#1 and #2 respectively) as my main gigging guitars. The Green Manalishi (Rainforest PS Sig) and Sir Charles (Collection V) are my go-tos at home. I'd like to try one of the new 408 Standard Rosewoods with a stoptail at some point, but with the non-Sig switching I'm not convinced I'd bond with it. A Modern Eagle 408 with trem will be worth me trying when one comes out too.
Tonally, I'm finding:
* Kermit - very strong in the midrange, with a slight "honk". A little harshness on the highs and it misses the lowest lows of the PS models. Great for Drop D, which is how I mainly use it.
* Nori - bright yet dark and thick, more lower midrange than the others. Works really well live with my Bogner XTC Classic quarter stack with V30s and used for 90-95% of my gig tracks. The workhorse.
* Green Manalishi - Open and clear, with the best qualities of Nori and Kermit. 'Clean' sounding with gain, open and pretty balanced with a slight upper midrange cut. Very balanced between neck/bridge tone too.
* Sir Charles - as per The Green Manalishi but with more of everything. More sustain, more clarity, more harmonic richness and a big roundness to the tone. Amazing touch sensitivity and real singing vocal quality to every note. Up the high end, and to quote my wife, "it sounds like the strings are 'O' thick!". The neck pickup has a real purring warmth and the bridge has bite and snarl, without ever sounding flabby or harsh. Such a "musical" sounding guitar - what an instrument.
I really hope Paul doesn't come up with anything to "better" 408s and/or pernambuco - I don't think my finances could stand it. As it is, I'm going to enjoy these guys as much as I possibly can :D