In fact, and correcti me if I'm wrong, the T-Tops were Alnico 5 on a '74....The Nailbomb in the Polka Dot would emulate a Di Marzio Super D/Paf combo, I tought it would be more Holy Diver territory....
So The Mules would be the PU of choice for a Randy Rhoads classic live tone?
yeah, the nailbomb might do a closer super distortion job than the holy diver, although it's no near as middy and grinding
but the nailbomb is dense, spanky and very powerful, so it makes sense
when doing heavy riffs under low crunch gain, I always thought of Tom Morello, which is a huge super distortion fan
yeah, I believe the mules might work great for that, combined wit the proper amp and distortion sources, of course
not necessarily a distortion+ and a cascaded plexi with altec speakers
a rat, riot or crunch box in front of a marshall style amp with good speakers should get close enough (celestion classic 80's sound like a good pick for this)
I think Tim used a 1970 Goldtop with Mules and a keeley modded boss SD-1 into a regular stock JCM 800 2203 in his Ozzy tribute band (not sure about speakers)