Hey man, cheers for the help. That link seems interesting; I'll give it a thorough read-through tomorrow. :)
I hear you regarding the quality of the reissues, this is one of my biggest concerns. Although, I must say that I am often sceptical when I read people on Harmony Central or whatever, and they never seem happy until they've changed the speaker, the transformer and everything which made the amp that particular amp in the first place!
For instance, this guy's custom Twin (in the link) - surely it would just be cheaper to get the custom made one in the first place rather than gutting the reissue?
Anyhow, my big big big problem, is of course, cash. I've got a JCM800 2203 from 1987 here which I think I could sell and make a fair amount towards the £1000 or so needed for the reissue, and make the rest up through work. But the Diaz & custom shop ones are more like upwards of £2000 - I don't think that I could - or even
would - pay that, you know?
I remember reading somewhere that Marc Ribot plays Vibrolux (or Vibroverb?), and some of them may well have been the new (reissue) ones. He has incredible tone, in my opinion. The problem with Fender is their range is so complicated, a reissue Vibro could be the Diaz one, or the standard one...Anyhow, it could be internet myth.
So, any ideas man? You seem to know the score
