Interesting how the MIJ discussion developed...
I've been studying the "3 gig" Live in Japan set over the past few days. It's easy to see how the "right" recordings were picked for MIJ. Eg all of the Highway Stars have that adrenaline rush, but the 2nd Osaka version (the one chosen) is almost on another plane.
Interestingly, one of the reasons for this is that Mr Blackmore actually plays notes rather than making lots of noise. And this applies to Smoke on the Water and Child in Time as well - the guitar solos on the unused versions are of the "I guess you had to be there" variety :lol:
But the other conclusion I reached listening to these three gigs repeatedly - what a rhythm section in Paice and Glover (and Lord to some extent). They are so consistently organic, but different from one night to the next. Eg the intro to Highway Star is surprisingly slightly different everytime (rhythmically).
In this combo, Ian Paice was the man for me. But he don't sound nearly so good, to me, in Whitesnake, for example, or even Purple post-MkII... the difference for me seems to be the empathy between Paice and Glover, and how Glover glues the organ and drums together, leaving both free to do what they did.
Frank - if you haven't already - give the Live in Japan CDs a go, they won't ever replace MIJ itself, but it gives you a chance to see under the bonnet a bit, and in some ways appreciate the released album even more. It certainly made me realise just what a superb musician Ian Paice is. I already knew he was good, but in amongst all that mayhem he was consistently good. :D