Got my old Charvel back from Feline last week. As part of the work to restore this fine guitar to a playable state, he installed a Painkiller set in it :D
I can sum up the PK with one word: METAL :twisted:
& not just meat'n'potatoes British heavy metal either. Any flavour of metal requiring power, precision, more power, definition, "cut" & yet more power. Painkiller is LOUD - to my ears slightly higher output than the Miracle Man (that was a shock :lol:) Death metallers will love the PK.
A few words about the neck pickup: The thing I love about BKPs is how they will put you in mind of tones you've heard on CD - even when you're not using the same amp/FX etc. Well the first thing that popped into my head when I heard the PK neck plugged into Feline's JCM800 was the opening phrase of the solo in the song "Painkiller" :) If you're an adept sweep-picker (I'm not), PK neck could easily become your new best friend. It's very high output for a neck, matching the bridge output.
The bridge is a face-ripping beast - it's not a subtle pickup. It has a very hard, "tight" sound & seems to handle detuning very well - you can hear every note of the most intricate thrash riffs. Played through my rectifier, PK loves staccato, machine-gun riffs (think "Destroy Erase Improve") as much as the obligatory "Living after midnight" :lol: You can make pinches, divebombs & solos scream :twisted:
Tonally it's totally different to the MM, more mids & treble, less bass - an EMG killer but in a different way to the MM.
Of course, all this metal power comes at a price: clean sounds. You CAN play clean with PKs, but it's a very loud "in your face" clean - not particularly warm or dynamic (this applies equally to both bridge & neck). Soft cleans aren't really the PK's thing - for example I don't see a band like Opeth using PKs. This isn't necessarily a bad thing - if you're metal to the core, you won't care :twisted: