the gibsons do feel a little more handmade than the lower end tokais and edwardses (i've heard you say this before too, and it's true), but the big problem with the gibsons (especially the cheaper ones with the worse QC) is that it can include some of the bad points of handmaking as well as the good- i've tried some cheaper gibbos and it literally felt like the frets just hadn't been finished at all... :lol: though they did sound good.
Totally agreed. They feel handmade, in a rough-and-ready sort of way. I once had two guitars with P-90s, a Gibson LP Special and a Hamer Special. If you compared the timber, finishing and detailing, the Gibson was shocking... but it felt so much better.
I love the lower end Gibsons. I own the swamp ash SG (which is like a gloss nitro special) and a Les Paul vintage mahogany studio. £450 and £480 respectively, both with hard cases.
You read a lot about Gibson QC, but both these guitars were excellent straight out of the box. Maybe not flawless, bearing in mind I'm comparing them to stuff like PRS, but very playable, with nice fretwork (if not boutique) and no issues.
What they do have is some kind of indefinable mojo, or vibe, which seems to be missing on many other makes of guitar. It's not just imagined, 'cos it makes them sound good, and feel good, too.
I could have a beautiful PRS if I wanted, but having tried quite a few, courtesy (amongst others) of TF, who has some crackers, they just don't do it for me. A PRS may well be spot-on straigth out of the box, but that don't matter to me none. I'm not in a hurry.

Highway One Fenders have it going on too.