I don't think you are over-analysing Philly (or at least, that's exactly the way I'd think about the aesthetics of the thing myself :lol:) - they all seem like sound reasons why it doesn't quite work visually yet.
My first thought was "flip, those surrounds make the pickups look HUGE on this thing..." - this could be a good or bad thing, I just thought it looked a bit odd at first glance.
I wasn't sure about the Vol placement visually either, but I'm totally with Gwem on the violin-bowing. Once you've started doing it effectively on a strat or tele, you really miss the proximity on a Gibson. Yeah, I know it can be done with a volume pedal, but that's another piece of kit to plug in, and it's so much easier to do with the guitar's volume control once you've learnt it.
Bear in mind we're all looking at the guitar "stood on it's @rse", though... Gwem, perhaps we need pictures of it "slung-ready-for-action"? :lol: ... I have a feeling it might look better when someone's wearing it.
EDIT: I suspect the Tippex white is one of the main problems now... I haven't seen this finish close up on a guitar, but I suspect it's very hard to learn how to love it unless it was exactly what you set out to have... I reckon this one might end up getting refinished or treated in some way. Mebbe consider briwaxing it to get it to go off-white and slightly darker? Could be a bit hit-and-miss though. (My Faded SG, cherry, a bit anaemic originally, is gradually going a gorgeous dark and lustrous cherry with a gentle "Dark Pine" briwax treatment every six months or so - but this wasn't nearly as risky as starting on tippex-white! :lol:)