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Author Topic: How do you define "dark"?  (Read 3702 times)

Crunch

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Re: How do you define "dark"?
« Reply #15 on: August 14, 2011, 05:02:23 AM »
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I also agree all this really depeneds on your bass players sound and how he plays . If the bass player is from the follow the guitar school then a dark sound can be great to create a massive,unified  sound . but if you bass player also likes to mess with the melody allot then you really have to get out of each others way so those notes are heard .

 

If your bass player can only follow you, you need a new bass player  :lol:.  You have to bring something to the band besides mere sonic reinforcement. 
Tell that to Weedeater. They claim to use the band as one solid instrument, and I think it works well for certain genres. Different tools for different jobs, mate.
Praise the Sunn.

mongey

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Re: How do you define "dark"?
« Reply #16 on: August 14, 2011, 11:18:21 PM »
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I also agree all this really depeneds on your bass players sound and how he plays . If the bass player is from the follow the guitar school then a dark sound can be great to create a massive,unified  sound . but if you bass player also likes to mess with the melody allot then you really have to get out of each others way so those notes are heard .

 

If your bass player can only follow you, you need a new bass player  :lol:.  You have to bring something to the band besides mere sonic reinforcement. 

Dark is just a lack of treble/upper range overtones. 

I agree personally. the bass player I play with is great at filling out the songs with so many ideas . but a 1 guitar and bass band they need to

That said,  some bands/styles  the follow the guitar root note thing works well
Maton- jazz/JB
Cole Clark -NB Neck ,  Apig
Mayones Setius - Juggs
Et Guitars Katana 7 -Juggs
Mesa Dual Rect
and more stuff