I was just wondering if they might have changed the design a bit. sorted out that notorious bridge rectifier in the filament supply.
The other clever thing they did in the original DSL, was using switching jacks on all the speaker outputs. The connection to ground for the 8ohm/4ohm outputs is switched through the 16ohm only jack. I guess they did this to make it impossible to use the 16ohm output at the same time as the other outputs. The problem there is if the sleeve switch on the 16ohm jack socket gets dirty then it will stop the 4ohm/8ohm outputs working by breaking their connection to ground.
Hunter, thats a good clip.
Digital reverb is what it is. After going out and playing a bunch of reverb pedals it strikes me that it is definitely possible to achieve and really good reverb digitally. Whether Marshall have done that in this amp remains to be seen.
I also think the pentode/triode switch is a bad way to do that power reduction. May as well use a switch that turns off two valves and keep the output running in pentode. Triode mode is changing more than just the overall power, but it's handy if you like the triode sound I guess, which I don't. If it was switching to triode mode and running ultra linear that might be interesting, but if it's just to switch between 100 and 50 watts I think it's a bit of an antiquated idea.
A friend of mine also had a TSL. He never gigged it and used it for home recording (he was an AWESOME player) but it used to be in for repair constantly, hence why when it came time for me to buy an amp I avoided the JCM2000's