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Author Topic: New guitar, Caparison Dellinger  (Read 31665 times)

Philly Q

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« Reply #75 on: May 28, 2008, 01:17:42 AM »
Quote from: nfe
I didn't mean to imply that they're worse. I did have a longer post about how I didn't consider hand building vs machines to be a better or worse route, but I felt I was waffling and edited it down.

Yeah, and I didn't mean to imply that you were implying that  :wink: .  Sorry.

We're going all over the place in this thread, and I for one am waffling like crazy.

All I really want to say is that there's no right or wrong, no better or worse.  Let's not get hung up on brands or labels, machines or hand-tools.  Everyone should be able to find their own "perfect" guitar, be it a Chinese Squier Strat or a custom triple-neck Moderne built from a 3,000-year-old giant redwood with platinum and mammoth ivory fret markers hand-inlaid by John D'Angelico, Les Paul and God.
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« Reply #76 on: May 28, 2008, 01:22:57 AM »
Quote from: Philly Q


All I really want to say is that there's no right or wrong, no better or worse.  Let's not get hung up on brands or labels, machines or hand-tools.  Everyone should be able to find their own "perfect" guitar, be it a Chinese Squier Strat or a custom triple-neck Moderne built from a 3,000-year-old giant redwood with platinum and mammoth ivory fret markers hand-inlaid by John D'Angelico, Les Paul and God.


Exactly!

WezV

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« Reply #77 on: May 28, 2008, 09:40:49 AM »
Quote from: nfe

I've no doubt that when Paul Reed Smith builds a guitar himself, or one of his top employees does, they build a fantastic instrument, but that's not what you or I can buy, hell if we could it would be an astronomical price.


Paul has said on many occasions that when they let him build a guitar now it usually doesnt pass QC... his early guitars which made him a big name wouldnt have passed the current QC either.  

There is a builder in australia called Perry Ormsby who i suppose is on the cusp of the CNC debate.  Perry's view on the growth of his business:

Quote
If i could build faster, we can put out more guitars. If my wait list was half as long (2 years right now), id sell three times more guitars  Decided to get a CNC to help out, but it will only be used for the most basic stuff like logos, truss covers, and stuff like that. My assistant is just about ready to produce guitars from scratch, and I've just handed him his first full build
Got another new guy starting soon, part time.


If he went completely CNC now he could probably sell a lot more guitars and be more profitable... but what about all the innovations that doing stuff by hand allows him to achieve at the moment? what about the uniqueness of each of his guitars and how they are designed to fit the player?   These things are harder to achieve when everything is locked down in lines of computer code and any change to that code means months of R&D rather than a few minutes with a spokeshave.  Mass production brings standardisation which makes them no longer custom..

if you have a bit of time go here and watch perry's 13 video series on making a completely unique and new guitar design in 23 days - by hand!!  

http://uk.youtube.com/user/rhoads56

noodleplugerine

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« Reply #78 on: May 28, 2008, 11:19:34 AM »
Quote from: WezV
Quote from: nfe

I've no doubt that when Paul Reed Smith builds a guitar himself, or one of his top employees does, they build a fantastic instrument, but that's not what you or I can buy, hell if we could it would be an astronomical price.


Paul has said on many occasions that when they let him build a guitar now it usually doesnt pass QC... his early guitars which made him a big name wouldnt have passed the current QC either.  

There is a builder in australia called Perry Ormsby who i suppose is on the cusp of the CNC debate.  Perry's view on the growth of his business:

Quote
If i could build faster, we can put out more guitars. If my wait list was half as long (2 years right now), id sell three times more guitars  Decided to get a CNC to help out, but it will only be used for the most basic stuff like logos, truss covers, and stuff like that. My assistant is just about ready to produce guitars from scratch, and I've just handed him his first full build
Got another new guy starting soon, part time.


If he went completely CNC now he could probably sell a lot more guitars and be more profitable... but what about all the innovations that doing stuff by hand allows him to achieve at the moment? what about the uniqueness of each of his guitars and how they are designed to fit the player?   These things are harder to achieve when everything is locked down in lines of computer code and any change to that code means months of R&D rather than a few minutes with a spokeshave.  Mass production brings standardisation which makes them no longer custom..

if you have a bit of time go here and watch perry's 13 video series on making a completely unique and new guitar design in 23 days - by hand!!  

http://uk.youtube.com/user/rhoads56


Great vids!!

What tool is he using to shape the midle part of the neck in vid 4?
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Twinfan

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« Reply #79 on: May 28, 2008, 11:31:17 AM »
Quote from: WezV
Paul has said on many occasions that when they let him build a guitar now it usually doesnt pass QC... his early guitars which made him a big name wouldnt have passed the current QC either.


That's true.  Which is why Paul plays an off-the-shelf Modern Eagle rather than buld himself a guitar.

The early ones are a bit rough and ready too.  Nice guitars by all accounts, but certainly not perfection.

noodleplugerine

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« Reply #80 on: May 28, 2008, 11:35:42 AM »
Quote from: Twinfan
Quote from: WezV
Paul has said on many occasions that when they let him build a guitar now it usually doesnt pass QC... his early guitars which made him a big name wouldnt have passed the current QC either.


That's true.  Which is why Paul plays an off-the-shelf Modern Eagle rather than buld himself a guitar.

The early ones are a bit rough and ready too.  Nice guitars by all accounts, but certainly not perfection.


That's actually pretty damn impressive :P

He's not even good enough for his own standards!
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WezV

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« Reply #81 on: May 28, 2008, 11:54:43 AM »
Quote from: noodleplugerine
Quote from: WezV

Great vids!!

What tool is he using to shape the midle part of the neck in vid 4?


he roughs in either end with rasps then connects the dots with a spokeshave

ToneMonkey

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« Reply #82 on: May 28, 2008, 12:05:06 PM »
I think it was Organic guitars that was saying that when you use a CNC, you get a guitar shape out of it.  That's about it though, it's just the shape and it's a bit rough-arsed.  There's still plenty of work left to do.

Personally on the CNC side of things, I don't really care what is used for removing the wood that isn't guitar.  It's what's left that counts and that goes far beyond the hand built or CNC'd debate.
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dave_mc

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« Reply #83 on: May 28, 2008, 01:52:28 PM »
even longer post coming up... sorry again. At least we seem to be back to being civil, which is one of the cool things about this forum...

Quote from: Lew
I haven't tried a Legra, I was only talking the body shapes on the front page, but yea fair point, it was a daft comment.
Caparison isn't the only brand I own or enjoy fwiw ;) It makes up a small amount of my playing time, most of it is spent with a spanish acoustic at the moment ;p


no problem at all :drink:

Quote from: Will
I would assume the resale value of a custom guitar would not be as good as the original price, for example, Ailean's Tabby...


that's another good point. when going for a custom, it does help if you're the kind of person who never (or at least rarely) sells stuff on. :)

Quote from: Philly Q
No offence Johnny, but isn't that verging on reverse snobbery?  Paul Reed Smith, James Tyler and Nik Huber aren't some kind of corporate whores, they are custom builders who, one way or another, hit the (relative) big time.  

PRS is the biggest of those companies, but Paul Smith isn't swanning around on a yacht, he's doing nitpicky little things like putting brass posts on his tuners because they sound better than steel ones.  And at "Experience PRS" he's acting as a bloody roadie!

Huber can charge more for his guitars than the custom builders we know because he's a "bigger" name, but I don't for a second think a three-grand Huber would be any worse than a Feline or Legra for half the price (and that's NOT meant as a put-down to Jonathan, Bob, Wez or anyone else).  It's just market forces.

In slightly different circumstances, Jonathan might have half a dozen employees and be selling Felines for £3,000 - and we'd be going to Nik Huber for £1,800 custom builds.  They're all in the same business, just at different points on the scale.


pretty much, yeah. i didn't like the huber i tried as much as my legra, but that was pretty much solely due to the neck profile- which i could have specced had i gone custom with huber (though that'd have probably cost 0.3% of our GDP...  :lol: ).

i don't really have a problem with reverse snobbery, I admit i'm a reverse snob. I get perverse pleasure out of knowing i have nicer gear than a lot of people for less cash. at least there's a (vaguely) rational reason for reverse snobbery... all my japanese copies for not much more than the price of an epiphone each... seems pretty sensible to me! (and you have roughly 6 trillion japanese copies too, don't you philly? :) )

Quote from: noodleplugerine


The Private Stock guitars certainly are custom, and are built by Paul and his team if memory serves.


yeah (as far as i know, anyway), but you also have to be a russian oligarch to afford them...

Quote from: Philly Q
(a) But I'd still contend that using CNC routers etc doesn't lead to a worse guitar - it gives precision and speed, but the final touches, done by humans, are still crucial.  

(b) As for what they charge, it's a lot of money, but we pay a big premium on imported guitars in the UK.  At US prices, PRS seem very reasonable compared with Gibson or Fender, their domestic competitors.  It's all relative, and as I said before it's all down to market forces - ultimately they charge what people will pay for them.

(c) My point was, these people aren't "the enemy", they're not "flavour of the month" companies.  They're people who love what they do and care about their products and their customers.  So OK, maybe you can't go to PRS and ask for a purple-metalflake Warlock copy with 4 humbuckers and a built-in beer cooler - but that doesn't make them inferior to custom builders.


(a) but it does lead (presumably?) to a cheaper guitar... and they aren't passing on the savings (to us in the UK, anyway).

(b) agreed, but being in the UK we're obviously going to judge them by UK prices... which are way too high. In my opinion, anyway.

(c) agreed.

Philly Q

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« Reply #84 on: May 28, 2008, 02:51:48 PM »
Quote from: dave_mc
i don't really have a problem with reverse snobbery, I admit i'm a reverse snob. I get perverse pleasure out of knowing i have nicer gear than a lot of people for less cash. at least there's a (vaguely) rational reason for reverse snobbery... all my japanese copies for not much more than the price of an epiphone each... seems pretty sensible to me! (and you have roughly 6 trillion japanese copies too, don't you philly?  :) )

Only 9... no, 8....... I think.  :wink:

I wouldn't say I buy them out of any sense of one-upmanship over people with more expensive but (possibly) not-as-good guitars, though.  I just buy 'em cos I like 'em.  They're good value for money too, but I'd pay more (or less!) if I liked the guitar.

Anyway, not buying at the moment, I want to thin the herd... and then maybe get something custom.  :)

Quote from: dave_mc
but [CNC] does lead (presumably?) to a cheaper guitar... and they aren't passing on the savings (to us in the UK, anyway).

But it does also involve a BIG financial outlay to acquire the CNC equipment in the first place - a substantial risk which presumably takes years to recoup.  And in PRS's case, they build almost all their parts and hardware in-house, plus it's entirely US-based so the property and labour costs must be very high.

It's pure speculation, but I wouldn't be surprised if their profit margins are actually relatively tight.  They probably make more (in % terms) on the SE range.
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dave_mc

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« Reply #85 on: May 28, 2008, 03:34:36 PM »
Quote from: Philly Q
(a) Only 9... no, 8....... I think.  :wink:

I wouldn't say I buy them out of any sense of one-upmanship over people with more expensive but (possibly) not-as-good guitars, though.  I just buy 'em cos I like 'em.  They're good value for money too, but I'd pay more (or less!) if I liked the guitar.

Anyway, not buying at the moment, I want to thin the herd... and then maybe get something custom.  :)

(b) But it does also involve a BIG financial outlay to acquire the CNC equipment in the first place - a substantial risk which presumably takes years to recoup.  And in PRS's case, they build almost all their parts and hardware in-house, plus it's entirely US-based so the property and labour costs must be very high.

It's pure speculation, but I wouldn't be surprised if their profit margins are actually relatively tight.  They probably make more (in % terms) on the SE range.

(a) oh yeah, me too, of course i buy them because i like them. the fact they're (comparatively) inexpensive is the icing on the cake... :)

(b) yeah, that's true.

nfe

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« Reply #86 on: May 28, 2008, 03:48:35 PM »
Quote from: WezV
Quote from: nfe

I've no doubt that when Paul Reed Smith builds a guitar himself, or one of his top employees does, they build a fantastic instrument, but that's not what you or I can buy, hell if we could it would be an astronomical price.


Paul has said on many occasions that when they let him build a guitar now it usually doesnt pass QC... his early guitars which made him a big name wouldnt have passed the current QC either.  



Really?

I'm surprised by that, given what I think of their current output, I'd imagine I'd find guitars he'd built himself to be quite awful and I always thought that he'd built his name on fantastic instruments.

Twinfan

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« Reply #87 on: May 28, 2008, 03:56:28 PM »
There can be a difference between a fantastic instrument and one that's good enough to pass a stringent QC standard  ;)

Some guitars can pass both, lots of guitars can pass one or the other...

ToneMonkey

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« Reply #88 on: May 28, 2008, 03:58:50 PM »
I've got an axe here that probably wouldn't pass most peoples QC (not even Gibsons) and it's stunning.  The absolute mutts nutts (or will be when I've got teh action right.
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WezV

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« Reply #89 on: May 28, 2008, 04:12:14 PM »
Quote from: Twinfan
There can be a difference between a fantastic instrument and one that's good enough to pass a stringent QC standard  ;)


i think thats what i have been trying to get at, but somehow summed up into one sentence :?  how do people do that :wink:

Tony Zemaitis is another whose handmade guitars might not pass PRS's QC... check out the prices they sell for.  admitedly higher since his death but still at a crazy level when he was alive - they even have a museum in tokyo!!