parallel is a nice option, much prefer it to split. mdv is right - try it!
How are they better than split?
parallel is fully hum cancelling, and has a stronger tone than split (believe it may also be much louder from memory)
for years i used a parallel wired dimarzio super distortion for metal rhythm, had it permanently wired - didn't even ever use series. i got this tip from paul gilbert originally.
it still sounds single-coil-ish clean, and we could argue about the parallel vs series clarity when driven - but i think the parallel is clearer.
in the bkp range i only tried a parallel wired warpig. but it sounded really good! still thick, but not as bass heavy, much more manageable.
i've never been happy with coil split in humbuckers to be honest - it misses something. the drop in volume is too great too.
this thread makes me want to wire a switched pot to my painkiller just to try parallel out on it myself ;)
edit: my memory is hazy on the split/parallel volume level difference. but parallel must have sounded the best in my experiments, since thats how i left it
I'm still confused as to how parallel relates to series. Should I just have it set to:
1. Neck Humbucker parallel
2. Neck Humbucker split
3. Mix split
4. Bridge Humbucker split
5. Bridge Humbucker parallel
Or am I missing out on the higher output, so you're saying:
1. Neck Humbucker series
2. Neck Humbucker parallel
3. Mix parallel
4. Bridge humbucker parallel
5. Bridge humbucker series
In the end, whether I utilize parallel or split, I want something that's smooth, clear, and extremely nice for cleans. And when we're talking high-gain, whether I utilize series or parallel, I want... power... for lack of a better word. If parallel has a "single-coil-ish" quality, I don't want it for the high gain stuff. I want good cleans, but primarily this is a guitar for metal.