Looks tidy now :lol:Your little muter thingy on the first fret doesn't = for touchstyle does it?I can't believe more people don't play touchstyle...
Quote from: Philosoful on September 04, 2008, 12:27:02 PMLooks tidy now :lol:Your little muter thingy on the first fret doesn't = for touchstyle does it?I can't believe more people don't play touchstyle...Nah fraid not. It's to prevent the strings ringing out behind the nut when playing staccato stuff. The guitar is so damn tight sounding with the hairband there.
That can be the trouble with reverse headstocks You have to b careful that the string lengths behind the nut going to the machinehead are not the same as any fretted note otherwise you can get adrone note that rings when you dont want it toI made a great guitar years ago that did just that and it was a D note which was most inconvenient at times although very cool when soloing in that key
Quote from: _tom_ on September 04, 2008, 09:14:58 AMI guess I'm the only one who thinks it looks hideous then :o It's not my cup of tea, although I wasn't going to say so.Despite the looks, I'd bet a lot that it plays and sounds incredible.EDIT: Lew, I actually think it'd be pretty cool with a black pickguard.(as you can see I couldn't get the colour quite right. It's pretty damn complex!)
I guess I'm the only one who thinks it looks hideous then :o
Quote from: FELINEGUITARS on September 04, 2008, 01:42:01 PMThat can be the trouble with reverse headstocks You have to be careful that the string lengths behind the nut going to the machinehead are not the same as any fretted note otherwise you can get a drone note that rings when you don't want it toI made a great guitar years ago that did just that and it was a D note which was most inconvenient at times although very cool when soloing in that keyYeah, it seems to be an inherent problem in the blackmachine reverse headstock design. I know Pin, and Dez (lepers_meesa) both do the same trick. It's note-worthy that the B6, with it's standard headstock, doesn't have this problem.
That can be the trouble with reverse headstocks You have to be careful that the string lengths behind the nut going to the machinehead are not the same as any fretted note otherwise you can get a drone note that rings when you don't want it toI made a great guitar years ago that did just that and it was a D note which was most inconvenient at times although very cool when soloing in that key
Quote from: Nolly on September 04, 2008, 02:06:49 PMQuote from: FELINEGUITARS on September 04, 2008, 01:42:01 PMThat can be the trouble with reverse headstocks You have to be careful that the string lengths behind the nut going to the machinehead are not the same as any fretted note otherwise you can get a drone note that rings when you don't want it toI made a great guitar years ago that did just that and it was a D note which was most inconvenient at times although very cool when soloing in that keyYeah, it seems to be an inherent problem in the blackmachine reverse headstock design. I know Pin, and Dez (lepers_meesa) both do the same trick. It's note-worthy that the B6, with it's standard headstock, doesn't have this problem. If you measure the length of the string behind the nut to where it hits the headstock you can copy that distance from the bridge saddle to the imaginary fret on the same string and predict which overtone you will get.Because the tension on the string will be the same right along its length - it will be entirely proportionalon a normal headstock it is the other way round and the ringing note will sound like a high harmonic rather than a fundamental note